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Archive for March, 2011

Age difference between Woody Allen (Harry Block) and his co-stars: 1) Bob Balaban (Richard, Harry’s best friend): 10 years 2) Kirstie Alley (Joan, Harry’s ex-wife): 16 years 3) Caroline Aaron (Doris, Harry’s sister): 17 years 4) Judy Davis (Lucy, Harry’s ex-girlfriend): 20 years 5) Elisabeth Shue (Fay, Harry’s current girlfriend): 28 years Non-white actors with [...]

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Over last Christmas break, I was talking to my dad about the Coen Brothers’ remake of True Grit. He made the comment that it didn’t feel like a typical Coen Brothers movie. I disagree, but I see where he was coming from. Mention the Coen Brothers and most people will think of Raising Arizona, Fargo, [...]

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Micmacs isn’t a bad film at all. In fact, it’s got quite a lot of charm. The plot of Micmacs is as much a political wish-fulfillment fantasy as The Ghost Writer, but its outlandishness almost makes it more believable.  The actors ably toe the line between zany and overly twee, with the sorts of expressive [...]

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I’m a big fan of Noah Baumbach’s first film, Kicking and Screaming, probably because I saw it shortly after finishing grad school.  I’m not sure there’s another movie that so squarely gets that post-graduation combination of anxiety and ambivalence, where the freedom to do anything paralyzes you into doing nothing. Sure, The Graduate is a [...]

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Much has been made of how Pierce Brosnan’s character in The Ghost Writer is a blatant stand-in for Tony Blair.  Co-screenwriter Robert Harris (who also penned the novel The Ghost that the film is based on) was a former Blair supporter who became disillusioned with the prime minister’s enthusiasm for the Iraq War. Harris paints [...]

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I never went to an all-girls school, and certainly not a boarding school. I did, however, attend a girls’ summer camp for one month every summer from the ages of 10 to 17. From my experience there (an overwhelmingly positive one, I should clarify), I think I can extrapolate an understanding of the even more [...]

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No other time or place in history has been as well documented as America in the early 21st Century, at least in terms of number of keystrokes. But how much of it will survive the endless cycles of format obsolescence? Even if the Library of Congress still stands a thousand years from now, could future [...]

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Saw (the first) tends to be remembered for two things: launching a seemingly unkillable movie franchise, and kicking off the fad for “torture porn” in the horror genre as a whole. But the original Saw isn’t just about watching a guy cut off his own foot any more than 127 Hours is just about watching [...]

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Last summer at Lincoln Center, I had the good fortune to see every film Ken Russell made between 1969 and 1977, from off-kilter stabs at the stuff of prestige pictures (Women in Love, The Music Lovers) to cocaine-fueled triumphs of muchness (Tommy, Lisztomania).  During this period, Russell produced such masterpieces as the criminally forgotten Savage [...]

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Few character actors have done as well in modern Hollywood as Philip Seymour Hoffman. Only Paul Giamatti and maybe Steve Buscemi have broken out of the hey-it’s-that-guy ghetto without losing artistic credibility to the degree that Hoffman has. Hoffman’s mainstream success (relatively speaking) can be chalked up to a combination of talent, an eye for [...]

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